Femme Fatale - 2851 Words

Femme Fatale Since the beginning of recorded history we have been held to witness the influence of women and their sexuality on mankind. As sexual creatures, humans desire each other; generally men are more inclined to be seen as the ones who â€Å"need† the physical sexual act. This â€Å"need† that men have gives women an important power and opportunity over men. By controlling sex women can basically rule the world. This idea tends to scare men because men like to be the ones in control, but at the same time this thought of powerful dominating women is a sexual turn on. These natural curiosities we all have with our bodies, and fantasies we create, led to the eventual naming of this phenomenon as the Femme Fatale, coined by the French. Prior†¦show more content†¦The artists and their works, which I stated before, are Kirchner with his piece Street, Berlin, Beardsley, with his drawing Salome with the Head of John the Baptist, and Munch with his work Vampire. Before we can address how they compare with each other we must first recognize the formal elements in general for each. Ernst Ludwig Kirchner’s painting Street, Berlin is exactly what the title suggests a street in the city of Berlin. The composition is busy. The general arrangement of the work is crowded figures in the middle ground with very little background and foreground. There are several figures which seem unimportant. The ones of importance seem to be the two women walking, although more focused on one of the women than the other, and the man crouching down in front of the window. The objects that seem to be most important are the ones that are painted more colorful, the woman of focus is the only person wearing color, and the rest are in all black and white attire. Kirchner attempts to create an illusion of three dimensional space by using a one point perspective which draws us into the work like we are looking down the sidewalk with all these people walking toward us, interestingly he does not really attempt to make the figures three dimensional they are pretty muchShow MoreRelatedFe mme Fatale : An Overview1362 Words   |  6 Pages Femme fatale. Every culture has a mystical femme fatale that is known for being beautiful, enticing and deadly. A female being that has the ability to entice a man with the intent to destroy his very being. The Mermaids, Nymphs, Undines and Sirens, these beautiful and deadly creatures are known all over the world. The alluring charms of these creatures are legendary and have been known globally for centuries. The femme fatale is known for being able to charm and lure wayward men for safety intoRead MoreFemme Fatale in Film Noir2241 Words   |  9 Pagesa post war society characterised by insecurity about gender roles, the economy, changing definitions of race, and nuclear technology. One of the cultural problems the term genre attempts to address is the gender question. The familiarity of the femme fatale character across film noir is the predominant cause for discussion amongst feminist theorists. Feminist theorists became, and s till remain, interested in the womans portrayal in noir because the majority of quintessential film noirs were manufacturedRead MoreCharacter Analysis Of Femme Fatale734 Words   |  3 Pagessuspicious call. When confronted, she lies once again, and tries to act as a helpless woman- crying, in need of a strong male to rescue her. All these actions, portray Evelyn as a true femme fatale. The key difference Evelyn’s character receives that a true femme fatale lacks is sympathy from the audience. The femme fatale doesn’t have a moral code. She is selfish, ruthless, and only thinks about herself. But as the audience finds out at the end, though Evelyn is ruthless, she is not selfish. It is finallyRead MoreElizabeth Siddal And The Femme Fatale901 Words   |  4 Pagesmanifested many of the demonized figure imagery, the â€Å"femme fatal†, in his art and to a certain extent, we could see that he was not free from the memory of his wronged wife. Furthermore, it is noteworthy that many male artists depicted the female body imagery in two categories, which are either the idealised, â€Å"the muse† or the cult of feminine beauty, â€Å"the femme fatale.† Those binary structured perception between the muse and the femme fatale have a strong relationship with the man’s agony and anxietyRead MoreFemme Fatales of English Literature3740 W ords   |  15 PagesThe femme fatale, a seductive woman who entices men into perilous and compromising positions by way of charisma and mystery, is a classic, and often enthralling, character who can be found in many sources of literature and mythology of various origins and eras (Femme Fatale 1). If the goddess of virtue is a lily and the vamp is an overripe red rose, the femme fatale is a Venus flytrap. (Billinghurst 1). In the simple quote above, Ms. Jane Billinghurst, author of Temptress, provides explanationRead MoreEssay about Femme Fatales of English Literature3625 Words   |  15 Pages Femme Fatales of English Literature The femme fatale, a seductive woman who entices men into perilous and compromising positions by way of charisma and mystery, is a classic, and often enthralling, character who can be found in many sources of literature and mythology of various origins and eras (â€Å"Femme Fatale† 1). â€Å"If the goddess of virtue is a lily and the vamp is an overripe red rose, the femme fatale is a Venus flytrap.† (Billinghurst 1). In the simple quote above, Ms. Jane BillinghurstRead MoreFemme Fatale - Original Writing1299 Words   |  6 PagesMakeda Scott Mr. Halter Composition I 06 October 2015 Femme Fatale Pink lips. Long nails. Extravagant jewelry. Flirty dresses. High heels. These are some of the typical things your average femme lesbian prides herself on. These are some of the things I pride myself on. My appearance constitutes a large part of my identity and self image. I am your standard girl next-door, except, I am not waiting on that handsome athletic jock to hit on me, I m waiting on the other girlRead MoreMisinterpreting Women in Film Preserves a Stereotypical Patriarchal Society564 Words   |  3 Pagessociety. It is imperative to reinterpret and analyse the implicit psychosocial portrayal of female characters in film noir. The disregard of women’s individuality alongside males imposing their lust and anxiety on women has created the notion of the â€Å"femme fatale†. The term connotes that such women are unorthodox, through their radical desires and aspirations, has led to the emphasis of sensuality which jeopardizes traditional hierarchy. The intransigence of gender roles results in dissension of the intricacyRead MoreEnchantment in John Keats La Belle Dame Sans Merica599 Words   |  2 Pagesimagination she brings to him. Sadly, the knight cannot live in such a realm of dream state but refuses to accept his fate. Thus, refusing to let go of these pleasures destroys his position in the real world. The lady can be categorized as a â€Å"femme fatale.† She leaves a trail of â€Å"pale men† through her seduction and destruction. The â€Å"pale men† have â€Å"lips starved in the gloam,† which suggests that the dames enchanted food induces starvation rather than nourishment. A shift of dominance occurs afterRead MoreThe Gritty World Of Crime Fiction1520 Words   |  7 Pagesextended toward the females in the genre. In the mind of both the authors and readers, there is a black and white view of women and how they should represent their sexuality. The first archetypal woman that most associate with this genre is the femme fatale, a woman who, according to Hard-Boiled Ideology, is an â€Å"aggressive, sexually avaricious, and dangerous† and â€Å"are perceived at first ... to be highly desirable, and are later discovered to be perverted and immoral† (Ogdon). An example of this can